Postering for Mystic Sk8 Cup 2008 in Prague
Sketchbook from Taiwan, 2010 — dried snack in a bag
Postering for Mystic Sk8 Cup 2013 in Prague
Cypherpunks Of The World — color variants of the print
Postering for Mystic Sk8 Cup 2010 in Prague
Screen printing session with CypherpunkNow — green sweatshirt
Postering for Mystic Sk8 Cup 2011 in Prague
Sketchbook from Taiwan, 2010 — house facade drawing
Postering for Mystic Sk8 Cup 2023 in Prague
Exhibition at Hackers Congress Paralelní Polis — view from the edge of the hall
Sketchbook from Taiwan, 2010 — street with shop signs
My studio — Továrna, circa 2017 — Satoshi Nakamoto prints
Cypherpunks Of The World — holding the Timothy C. May print
Exhibition at Hackers Congress Paralelní Polis — under red stage lighting
The Cypherpunks Of The World series in my studio, circa 2021 — with the T-shirt
Screen printing session with CypherpunkNow — pink T-shirt
Postering for Mystic Sk8 Cup 2007 in Prague
Purea VJ system — live analog VJ setup
Postering for Mystic Sk8 Cup 2014 in Prague
Satoshi Nakamoto from the Cypherpunks Of The World series — light box, front view
My studio — Továrna, circa 2017 — screen printing table
Exhibition at Paralelní Polis — Cypherpunks Of The World, with the info sheet
Mixing colors for the Bitcoin White Paper 2020 motif — numbered paint cups
Pop Machine — portrait, Dominik Feri, circa 2018
Cypherpunks Of The World — prints laid out in the studio
Screen printing session with CypherpunkNow — pulling the print
Sketchbook from Taiwan, 2010 — can of Taiwan Beer
Pop Machine — Warhol Is Dead, installation at the DSC gallery
CypherpunkNow studio, circa 2019 — posters on the studio wall
The Cypherpunks Of The World series in my studio, circa 2021 — full row
Exhibition at the Lightning conference in Berlin, 2019 — row of posters
Exhibition at Hackers Congress Paralelní Polis — daylight view
Pop Machine — portraits, Last Show exhibition, Továrna — evening lighting
Mixing colors for the Bitcoin Energy poster print
Me and my best friend Pavel — the first Pop Machine portrait test, circa 2016
The billboard across from Paralelní Polis, which I always claimed during HCPP
Peter McCormack and CypherpunkNow at the Baltic Honeybadger 2019 conference
Bitcoin Meteorite — screen print on a whiskey bottle
The HODL print — my studio, heated by a mining rig, Továrna, circa 2017
Original illustration for the Raribible project
Bitcoin Is Not a Bubble, But a Pin
The Manifest of Cryptoanarchy print — my studio, heated by a mining rig, Továrna, circa 2017
Mixing colors for the Bitcoin Coffee print — Paralelní Polis
Detail of the Satoshi Nakamoto collage from the Cypherpunks Of The World project
Mixing and sampling colors for the Bitcoin Energy print
The Cypherpunk Manifesto print in the hallway of my studio at Továrna, circa 2018
Ztohoven — stickers and pin badges, briefs, circa 2017
Pop Machine — portraits at the DSC gallery
The Cypherpunks Of The World series in my studio, circa 2021 — with shipping tubes
The Bitcoin Meteorite screen print series
Self-portrait, circa 2016
Long Beach — on the way to my first crypto art show in LA, 2019
Satoshi Nakamoto from the Cypherpunks Of The World series — light box from an angle
Painting Pepe for the Pepe Was Here project
Pop Machine — studio, circa 2018
Pop Machine Prague — motifs
Red Gallery, Shoreditch — London, 2018
Exhibition at Galerie Místo, circa 2020
Ztohoven — Občan K film poster, my very first screen print
The Bitcoin White Paper hoodie on my assistant
Bitcoin Meteorite — collector's card 1/1
Mystic Sk8 Cup — merchandise
Pop Machine Prague — exhibition at the Kafkoff gallery
Pop Machine Prague — prints
A look into my archive, circa 2022
CypherpunkNow skateboards and Mystic Sk8 Cup
Working on a collage for the Cypherpunks Of The World project
Pop Machine — print, Lela Geyslerová, circa 2018
Graphic identity for Hackers Congress Paralelní Polis
Sketching a profile picture for Hodlonaut
Fax-distorted silhouettes — motif for the Hackers Congress Paralelní Polis poster
Dorian Nakamoto
First sketch of the Paralelní Polis visual identity
Screen printing session with CypherpunkNow — black jacket
CypherpunkNow studio, circa 2019 — the sign outside
Pop Machine — portraits, Last Show exhibition, Továrna — daytime view of the hall
Exhibition at the Lightning conference in Berlin, 2019 — detail with a plant
Raribible originals and certificate of authenticity
Screen printing the Mystic Sk8 Cup poster, 2018
Mixing colors for the Bitcoin White Paper 2026 print
Illustration of the Bitcoin maximalist caste, 2020, for the Citadel21 poster
My studio, circa 2017
Studio at Továrna, circa 2016
Mystic Sk8 Cup poster in the streets of Prague
My studio, circa 2018
Pop Machine — portraits in my studio, circa 2018
Printing the Bank On Fire motif
At the cottage — reading and skateboarding
Collage for the High Alert NFT series
Cypherpunks Of The World — Nakamoto, May and Finney
Privacy Extremists collage, 2018
Mixing colors for the Out Of Order print
Studio at Továrna — the first Pop Machine portraits, 2016
Sketching variants for a generative NFT on AsyncArt
The HCPP 2019 motif on the façade of Paralelní Polis
Are You A Maximalist? — from sketchbook to print
Mixing colors for the Bitcoin White Paper 2020 motif — color palette
Pop Machine — portrait, Dominik Feri
Bitcoin Baphomet prints in my studio on Plynární street, Prague 7
Francis Pouliot (Bull Bitcoin) at Baltic Honeybadger, Riga 2019
Mystic Sk8 Cup — the race's visual identity, from poster to stage
Exhibition at Hackers Congress Paralelní Polis — full row of posters
Pop Machine — canvas portraits, Luděk Staněk and Petra Nesvačilová
Bitcoin Meteorite, 2019, on canvas — only these three prints exist — on the table
Bitcoin Meteorite skateboard at the Stalin spot in Prague, circa 2022
The Cypherpunks Of The World collage is split into layers, each element under its own glass
Postering for Mystic Sk8 Cup 2005 in Prague
Color swatches — studio, 2026
Bitcoin Pizza Box, 2019
The Know Your Future print, fresh off the press
Mixing colors for the Bitcoin Tree print
Prints at Továrna, circa 2016
Exhibition at the Baltic Honeybadger conference, Riga 2019
I heated my studio with mining rig power in 2017
Color range of the Cypherpunks Of The World screen prints
Ztohoven — briefs, Továrna 2018
Exhibition at Paralelní Polis — Cypherpunks Of The World in the corridor
Sketches
LA Crypto Art Show 2019 — CypherpunkNow a.k.a. Martin Fischer
Printing postcards for the Cypherpunks Of The World project, circa 2022
My fixed-gear bike and the Institute Of Cryptoanarchy print at Paralelní Polis, 2015
CypherpunkNow a.k.a. Martin Fischer and the Cypherpunks Of The World print series
Bitcoin Meteorite, Bitcoin Tree, and Bitcoin Gold Edition prints from 2019
Pop Machine — portrait, Olga Trčková from the DSC gallery, circa 2019
My first print at Paralelní Polis was the Institute Of Cryptoanarchy motif
Cypherpunk OGs with my prints from the Think Hodl series
My very first print sold for Bitcoin was in 2017
About To Pop at the Bitcoin Art Show in Las Vegas
The I Am Satoshi Nakamoto print — my studio, heated by a mining rig, Továrna, circa 2017
Cypherpunk Mailing List Puzzle
The wall of my studio, circa 2016
Choosing prints for the LA Cryptoart Show exhibition, 2019
Institute of Cryptoanarchy poster on the wall of Paralelní Polis, with the MSC poster on the official billboard behind
Collage for the High Alert project, circa 2022
I built a mini ramp at my cottage
The Bitcoin Meteorite print, fresh from the printer's, arriving at my studio
Satoshi Nakamoto — framed collage and NFT
Cypherpunks Of The World — reference materials for the collage
Exhibition of prints at Mystic Sk8 Cup in the mobile Paralelní Polis
Satoshi vs. CypherpunkNow — the Are You A Maximalist screen print
My studio with the Cypherpunks Of The World collages
Pop Machine — portrait, Lela Geyslerová, circa 2018
Sketchbook from Taiwan, 2010 — night market skewers
Flying to the LA Crypto Art Show 2019
Mystic Sk8 Cup 2010 — motif adapted for screen printing
Drying a poster in the basement of Paralelní Polis
Printing my very first B1-format poster at Paralelní Polis
Ztohoven — Občan K, DVD artwork
A look inside the virtual gallery for the High Alert project
Fresh prints of the Bitcoin White Paper motif, 2026
Postcard for the Cypherpunks Of The World project
Max Keiser and the Bitcoin Baphomet print — Baltic Honeybadger conference, Riga 2019
Sketch — Hal Finney
Prints of Cypherpunk Manifest and Privacy Extremists, and the Paralelní Polis yearbook, 2018
Bitcoin Pizza Box and the Privacy Extremists t-shirt, 2019
Pop Machine — portrait, Matěj Chytil
Petra Nesvačilová — Pop Machine portraits
Satoshi Nakamoto from the Cypherpunks Of The World series — detail
Me in the studio, circa 2026
In my studio, wearing my freshly printed leather jacket
Choosing colors for a poster print
The Trust Big Pharma / Pepe Was Here series — studio, circa 2023
Cypherpunk Future Is Now
Screen and color mixing for the HODL motif
The Manifest of Cryptoanarchist print — my studio, heated by a mining rig, Továrna, circa 2017
Edward Snowden — minting die for a commemorative coin
Warhol Is Dead — Pop Machine portraits, exhibition in collaboration with Galerie DSC
Framed prints for the exhibition at Hackers Congress Paralelní Polis, 2017
Shipping the Satoshi Nakamoto lightbox (2/2) to my friend Robness
Mystic Sk8 Cup — graphics from the flyer to the music stage
Wei Dai collage from the Cypherpunks Of The World project
Mixing colors for the Polak International poster print
Ztohoven — pin badges and briefs, circa 2017
Mixing colors for the Bitcoin Meteorite poster print
Pop Machine — portraits at the DSC gallery, 2017
Pop Machine — portrait, Petra Nesvačilová, circa 2018
Working on the Cypherpunks Of The World collage
The Bitcoin Meteorite series, 2019–2021
In my studio, circa 2018
CypherpunkNow — screen printing session at ETH Berlin 2019
My studio — Továrna, circa 2017 — portraits and cat prints
Cutting the layout for Citadel21 magazine
The Bitcoin Meteorite series on a whiskey bottle
Preparing to print the Bitcoin Meteorite motif, 2022
Screen printing in my studio, circa 2022
Flyers for the High Alert project, 2022
LA Crypto Art Show 2019 — curated by Max Osiris
Purea VJ system — live analog VJ setup, circa 2020
Pop Machine — Warhol Is Dead, the artist by the exhibition sign
Pop Machine — portraits at DSC gallery
Preparing the Satoshi Nakamoto print from the Cypherpunks Of The World project
Sketching variants for an NFT generated on AsyncArt
Pop Machine Prague — 3D authenticity stamp
Out Of Order / Pepe Was Here series — studio, circa 2023
1991 Wired magazine cover — the inspiration for the Cypherpunks Of The World project
My work featured in Bitcoin Magazine
Exhibition at the Bitcoin22 conference in Miami
Just before printing the Pop Machine Prague motifs
Detail of the framed collage — Satoshi Nakamoto from the Cypherpunks Of The World project
Bitcoin Meteorite, 2019, on canvas — only these three prints exist — leaning against the wall
Billboard in front of Paralelní Polis, 2018
Satoshi Nakamoto collage
Mixing colors for the Cypherpunk Mailing List Puzzle print
Bitcoin Meteorite — triptych, screen print on canvasBitcoin art, screen printing and graphic design between the analog and digital worlds.
CypherpunkNow, Pop Machine, Mystic Sk8 Cup and work for Paralelní Polis — independent projects where handmade processes meet technology and contemporary visual culture.

I am a visual artist, graphic designer and screen printer based in Prague.
Screen printing is one of the mediums I use to shape several distinct worlds. Under the name CypherpunkNow, I create Bitcoin art and “crypto art” — hand-printed, signed and numbered screen prints accompanied by certificates of authenticity recorded on the Bitcoin blockchain.
Pop Machine began as a series of pop-art portraits. That chapter is now closed, and the project is moving in a new direction, focusing on original Prague motifs and their contemporary visual interpretation.
For more than twenty years, I have designed posters for Mystic Sk8 Cup, the oldest skateboarding competition in Europe. I have also created T-shirt graphics for Volcom. The Graphic Works section presents film posters, skateboard graphics and interior design projects.
In 2014, together with the Ztohoven art collective, I co-founded Paralelní Polis — a three-story hackerspace and home to the world’s first Bitcoin café — and created its visual identity. This was where I first encountered bitcoin, which subsequently became one of the central themes of my artistic practice. I belong to the first generation of artists to explore bitcoin systematically as a cultural, political and visual subject. Since 2019, I have also accompanied selected physical works with animated NFTs.
My work has been presented at Hackers Congress Paralelní Polis and at Bitcoin conferences and exhibitions across Europe and the United States, including events in Riga, Berlin, Paris, Miami, Los Angeles and Las Vegas.
- Graphic design
- Screen printing
- Visual identity
- Illustration
- Posters
- NFT / crypto art
- Print preparation